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      <image:caption>From February 27 through April 24, American Lyric Theater conducts a free, eight-week, virtual symposium on writing for the opera stage. The CLDP Opera Writers Symposium will provide artists with practical tools for both first-time and experienced creatives with an interest in creating new opera.</image:caption>
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      <image:caption>Composer Paul Moravec and Mark Campbell worked for three years to adapt Stephen King's The Shining. Photo credit: Euan Kerr | MPR News (2016)</image:caption>
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      <image:title>Opera Innovation Blog - Opera Innovator: Grammy-Winning Librettist Mark Campbell Keeps Creating in the New Now</image:title>
      <image:caption>Composer Kamala Sankaram.</image:caption>
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      <image:caption>The 2020-21 International Opera Studio of the Staatsoper Unter den Linden. Founded in November 2007, and under the direction of conductor, pianist and vocal coach Boris Anifantakis, The International Opera Studio “offers young, talented singers the possibility to prepare themselves for an artistically demanding career in opera and musical theatre. The overall artistic direction of the International Opera Studio is provided by Daniel Barenboim, whose primary concern is to provide continuing education and consistent support within the framework of the Staatsoper for the artistic development of promising young singers.” - Excerpted from Staatsoper Unter den Linden’s website</image:caption>
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      <image:caption>The first Opera Hack was held at Microsoft Corporation’s San Diego Offices July 27-28, 2019. OPERA America hosted a webinar showcasing first hackathon winners on August, 2020. Opera Hack 2.0 is scheduled for 2021. Photo: Angel Mannion</image:caption>
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      <image:caption>San Diego Opera General Director David Bennett, center right, talks to participants at the company’s two-day Opera Hack event on July 27-28, 2019, held at Microsoft Corporation’s offices in San Diego. Photo: Pam Kragen for The San Diego Union-Tribune.</image:caption>
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      <image:title>Opera Innovation Blog - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology</image:title>
      <image:caption>Opera Hack’s Angel Mannion (left at podium) with Opera Hacker Ellen Fishman, a member of the Synctus (TM) team, July 27-28, 2019. Photo: San Diego Opera</image:caption>
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      <image:caption>2019 Opera Hack-winning members of the Becoming team (left to right): John Burnette, Francesca Talenti, Shahrokh Yagdegari and Louis Pisha collaborate on their winning project, July 27-28, 2019. Photo: Angel Mannion</image:caption>
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      <image:caption>San Diego City Councilmember (District 1) Barbara Bry chatting with an Opera Hack participant. From her July 27, 2019 tweet.</image:caption>
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      <image:caption>Ashley Tata, a multimedia theater and opera designer and director, uses a virtual reality headset during San Diego Opera’s Opera Hack event July 27-28, 2019 at Microsoft Corporation’s offices in San Diego. Photo via Opera Hack, as printed in a San Diego Union Tribune story by Pam Kragen (August 14, 2019).</image:caption>
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      <image:title>Opera Innovation Blog - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology</image:title>
      <image:caption>The San Diego Opera’s 2019 Opera Hack was held at Microsoft Corporation’s San Diego Offices on July 27-28, 2019. Photo: Angel Mannion</image:caption>
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      <image:caption>Duncan Holzhall, Mya Lucille King and Karli Forte at Indiana University Jacobs School of Music (September 27. 2020). Photo: Duncan Holzhall on Instagram.</image:caption>
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      <image:caption>Duncan Holzhall’s “Voices of Tomorrow’s Songs” showcases frank business of opera interviews conducted during the pandemic. Published in August 2020 and now available via Amazon. Photos: Duncan Holzhall</image:caption>
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      <image:caption>Santa Fe Opera illustration; renderings by Wilberth Gonzalez | The Santa Fe New Mexican, April 8, 2016</image:caption>
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      <image:caption>Teatro di San Carlo de Napoli’s production of Bellini’s Norma, Teatre Principal, Palma, Spain (June 2018).</image:caption>
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      <image:caption>In addition to designing our visual brand identity, Joe contributed other elements like the poster design for L'Eraclito Amoroso. The film marked Frisson Film’s UK and European debut in October 2019, screening in partnership with Everyday Arias at London’s Closeup Film Center and Nottingham’s Beeston Film Festival.</image:caption>
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      <image:caption>Photo: Bare Opera and Culture Hub NYC</image:caption>
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      <image:caption>Screen capture from “Exercises on The Presence of Odradek” | Photo: Bare Opera and Culture Hub NYC</image:caption>
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